WHAT IS HUMAN ERROR?

Art is both instinctive and deliberate—a conversation between spontaneity and discipline. Through painting, printmaking, and drawing, I use traditional media as a vessel. The act of making resists disposability, favoring sustainability, originality, and integrity.

Subjects emerge through research, museum visits, and recurring motifs. My process is observing, experimenting, and translating works across mediums. Oil paintings and ink drawings become screens, shifting meaning as they are applied to fabric and garments. Fashion, typically driven by mass production and trend cycles, becomes a site for critique. The paradox of creating within an industry I reject is intentional—provoking questions about branding, authenticity, and artistic agency.

At the core of my practice is an anti-aesthetic, anti-style philosophy that both embraces and dismantles form. My work exists between influence and originality, tradition and subversion. Human error, often seen as a flaw, becomes a generative force—introducing unpredictability. This interplay disrupts expectation, proving that art’s power lies not in perfection but in the friction between control and chaos.